For use while filming or afterwards in Post, Hiep enjoys delivering the news complete with logo, crawl and 7-day forecast.

Made for actors to play on set, Hiep creates the endless little games people play on a variety of devices. Cleared for use, younger-skewing and often built to a tight turnaround, Hiep is also comfortable supervising larger projects.

Blurring the line between playback and VFX, Hiep welcomes the opportunity to work on challenging motion graphics.

Hiep works on a wide range of productions, where his motion graphics routinely evolve from background monitors to story-driven hero screens.

Hiep's static and motion playback animations fill all of the screens in film and TV, including clickable apps and interactive touchscreens.

Hiep can deliver all manner of print graphics for film and TV, including prop labels, packaging design and large-scale signage.

Working closely with props, painters, set dec and local printers, Hiep has learned a lot of tricks to make large-scale signage look good and deliver the subtleties of fine-detail work.

Hiep is a conceptual designer of unique, high-energy logos and main title opens.

Hiep’s early days in broadcasting taught him how to edit content down to the frame, milking every moment of screen time. His designs were always in motion, so you better look closely cos they weren’t going to stop!

Working solo or with a team, Hiep excels at pitching original concepts directly to clients, absorbing their direction, and delivering a final design package that is on time, to budget and exceeds expectation.

Hiep is a conceptual designer/animator of main title opens, commercials and music videos delivered on time, to budget and beyond expectation.

Hiep's art student days were devoted to experimenting with typography and texture, drawing inspiration from the aged patina of found objects and industrial design.

Hiep's early days spent keeping-it-weird at YTV (Canadian youth television network) allowed him to hone his quick wit and comic design sense.